LITERATURE AND LANGUAGE - Easy Project Materials

PROJECT MATERIALS IN LITERATURE AND LANGUAGE

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PROJECT MATERIALS IN LITERATURE AND LANGUAGE

1. REVIEW OF YEJIDE KILANKO ‘S DEBUT NOVEL, “DAUGHTERS WHO WALK THIS PATH”.

2. COSTUME AND MAKE-UP AS VARIABLETTOOLS FOR CULTURAL PROMOTION AND TOURISM: A STUDY OF NIGERIAN HOME VIDEOS

3. THE ROLE OF AFRICA INDEPENDENT TELEVISION IN PROMOTING POPULAR CULTURE AMONG YOUTHS IN KADUNA METROPOLIS

4. A FEMINIST READING OF MOBOLAJI ADENUBI’S EMPTY ARMS AND HILARY ROUSE-AMADI’S AMINA

5. A METAPHYSICAL ANALYSIS OF AMOS TUTUOLA’S THE PALMWINE DRINKARD AND D.O. FAGUNWA’S THE FOREST OF GOD

6. A PRAGMATIC ANALYSIS OF CHRISTAIN HAND BILLS AND POSTERS

7. A STYLISTIC ANALYSIS OF AKACHI ADIMORA-EZEIGBO’S TRAFFICKED

8. A STYLISTIC ANALYSIS OF SELECTED NIYI OSUNDARE’S SOCIO-POLITICAL POETRY

9. A STYLISTIC ANALYSIS OF SOME SELECTED POEMS OF WOLE SOYINKA

10. A STYLISTIC ANALYSIS OF SPORTS COLUMNS IN SOME SELECTED NIGERIAN NEWSPAPERS

11. AESTHETIC OF AFRICANISM IN CAMARA LAYE’S THE AFRICAN CHILD AND THE RADIANCE OF THE KING

12. AFRICANISM: THEME, AND TECHNIQUE IN AMOS TUTUOLA’S THE PALMWINE DRINKARD

13. CHARACTERIZATION AND SYMBOLISM IN OLU OBAFEMI’S WHEELS AND NGUGI WA THIONGO’S A GRAIN OF WHEAT

14. CLASS STRATIFICATION, POVERTY AND SOCIAL INJUSTICE: A CRITICAL ANALYSIS OF FESTUS IYAYI’S VIOLENCE AND OLU OBAFEMI WHEELS.

15. CLASS STRUGGLE A CASE STUDY OF FESTUS IYAYI’S VIOLENCE AND ANIMATA SOW FALL’S THE BEGGARS’ STRIKE

16. CODE MIXING AS A SOCIOLINGUISTIC MEDIUM IN SOME SELECTED SONGS IN THE NIGERIAN MUSIC INDUSTRY

17. COMPARATIVE ANALYSIS OF EMECHETA’S SECONDCLASS CITIZEN AND NWAPA’S EFURU

18. CONFLICT BETWEEN TRADITIONAL AND WESTERN CULTURE: A CASE STUDY OF SOYINKA’S DEATH AND THE KING’S HORSEMAN AND THE LION AND THE JEWEL

19. CRITICAL DISOURSE ANALYSIS OF OLA ROTIMI”S OUR HUSBAND HAS GONE MAD AGAIN

20. CULTURE AND DISCRIMINATION AGAINST WOMEN IN BUCHI EMECHETA’S THE JOYS OF MOTHERHOOD AND CHIMAMANDA ADICHIE’S PURPLE HIBISCUS

21. EMERGENT TRADITION AND THE AFRICAN POETRY, A CASE STUDY OF TANURE OJAIDE’S THE “FATE OF VULTURES” AND “ENDLESS SONG”

22. FACTS AND FICTION IN AKACHI ADIMORA – EZEIGBO’S CHLDREN OF THE EAGLE AND THE LAST OF THE STRONG ONES

23. FEMINIST AESTHETICS IN OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN AND FEMI OSOFISAN’S MOROUNTODUN

24. FOLKLORE AND THE QUEST FOR RE-INVENTION A STUDY OF WOLE SOYINKA’S DEATH AND THE KING’S HORSEMAN AND HOPE EGHAGHA’S DEATH NOT A REDEEMER

25. GENDER ISSUES IN AKACHI ADIMORA EZEIGBO’S TRAFFICKED AND ZAYNAB ALKALI’S THE VIRTUOUS WOMAN

26. IMAGES OF SOCIAL VICES IN CONTEMPORARY NIGERIAN POETRY : A STUDY OF DENJA ABDULLAHI’S MAIROGO AND JIDE BALOGUN’S THE DESERT IN THE RIVER

27. MAGIC POETRY: A STUDY OF ARUGBA INVOCATION IN OSUN OSOGBO FESTIVAL

28. MOTHER TONGUE INTERFERENCE IN ENGLISH NEWS CAST: A CASE OF A KWARA TELEVISION NEWS

29. ORATURE IN MODERN AFRICAN LITERATURE USING: WOLE SOYINKA’S THE BEATIFICATION OF AREA BOY

30. PRAGMATIC FEATURES OF NIGERIAN ENGLISH: A CASE STUDY OF SELECTED POEMS OF BAYO ADEBOWALE

31. RACISM AND AESTHETICS IN ALEX LA GUMA’S A WALK IN THE NIGHT AND PETER ABRAHAMS’ MINE BOY

32. RELIGION AND MORALITY IN JOHN UPDIKE’S ‘A&P’ AND SALMAN RUSHDIE’S ‘THE PROPHET’S HAIR’.

33. SATIRE AND SOCIAL MEDIATION IN WOLE SOYINKA’S: A CASE STUDY OF THE TRIALS OF BROTHER JERO AND A PLAY OF GIANTS

34. SATIRE IN CONTEMPORARY NIGERIAN POETRY: A STUDY OF TAYO OLAFIOYE’S A CARNIVAL OF LOOTERS AND MUSA I. OKPANACHI’S THE EATERS OF THE LIVING

35. SOCIAL RELEVANCE OF NIYI OSUNDARE’S THE EYE OF THE EARTH

36. SOCIO-POLITICAL MOTIFS IN NIYI OSUNDARE’S THE EYE OF THE EARTH AND VILLAGE VOICES

37. SYNTACTIC AND LEXICO-SEMANTIC ANALYSES OF SELECTED SMS TEXT MESSAGES AMONG THE UNIVERSITY OF ILORIN STUDENTS

38. THE MYTHOLOGICAL ICONS IN AMOS TUTUOLA THE PALM-WINE DRINKARD

39. THE IMPACT OF YORUBA LANGUAGE ON THE SPOKEN ENGLISH OF STUDENTS (INDIGENES) OF ILORIN (TOWNSHIP)

40. PRAGMATIC FEATURES OF NIGERIAN ENGLISH: A CASE STUDY OF SELECTED POEMS OF BAYO ADEBOWALE

41. RACISM AND AESTHETICS IN ALEX LA GUMA’S A WALK IN THE NIGHT AND PETER ABRAHAMS’ MINE BOY

42. RELIGION AND MORALITY IN JOHN UPDIKE’S ‘A&P’ AND SALMAN RUSHDIE’S ‘THE PROPHET’S HAIR’.

43. SATIRE AND SOCIAL MEDIATION IN WOLE SOYINKA’S: A CASE STUDY OF THE TRIALS OF BROTHER JERO AND A PLAY OF GIANTS

44. SATIRE IN CONTEMPORARY NIGERIAN POETRY: A STUDY OF TAYO OLAFIOYE’S A CARNIVAL OF LOOTERS AND MUSA I. OKPANACHI’S THE EATERS OF THE LIVING

45. SOCIAL RELEVANCE OF NIYI OSUNDARE’S THE EYE OF THE EARTH

46. SOCIO-POLITICAL MOTIFS IN NIYI OSUNDARE’S THE EYE OF THE EARTH AND VILLAGE VOICES

47. SYNTACTIC AND LEXICO-SEMANTIC ANALYSES OF SELECTED SMS TEXT MESSAGES AMONG THE UNIVERSITY OF ILORIN STUDENTS

48. THE MYTHOLOGICAL ICONS IN AMOS TUTUOLA THE PALM-WINE DRINKARD

49. THE IMPACT OF YORUBA LANGUAGE ON THE SPOKEN ENGLISH OF STUDENTS (INDIGENES) OF ILORIN (TOWNSHIP)

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PROJECT TOPICS IN LITERATURE AND LANGUAGE